Biography

Shane Christensen has been a practicing potter since 1993. He attended Dixie State College and Southern Utah University graduating with a Bachelor’s of Arts degree in Ceramics and Sculpture. In 1999, he earned his Masters of Fine Arts from Edinboro University of Pennsylvania in Ceramics. After graduation, Christensen worked full-time as an Assistant Professor of Art at Western Texas College in Snyder, Texas from 1999-2004. Later, he taught in St. George, Utah at Snow Canyon High School from 2004-2012. From that time until now Christensen has been a Professor of Art/Ceramics at Utah Tech University. His work is primarily folk based utilitarian pottery. Even though this work is based in the American folk tradition, many of the pieces have a Korean Buncheong ware influence appearing in his work as well. His pots consist of simple functional objects to large scale vases and platters with the use of slips, basic glazes and other traditional techniques for surfaces. Christensen’s pottery has been exhibited locally and nationally, as well as internationally.

Artist Statement 

I find great pleasure in creating pottery that is functional. Because of this desire I am always searching for new and exciting aspects to share with the user. To me a pot is successful when it fulfills its intended use, yet still has pleasing form and complimentary surface treatment and reflects the intent of the maker. I like to hear about people that use and enjoy the work I have created. This gives me great reward and ongoing satisfaction. Glazes, slips, Decals and the natural unpredictable results of the firing process allow me to emphasize the unique characteristics of my pottery. I am driven to create vessels that are aesthetically pleasing to the eye, and still retain their function and balance. Imagery is an important aspect of some of my work. 

The images I use have specific meaning and importance to me, yet the user might not be aware of the specifics. These images are somewhat of a selfish indulgence, in the fact that the maker is only aware of the complete meaning behind the images. Every time I open a kiln and witness the effect of the fire on the pots, I am kindled with excitement, awe, or even frustration. The ancient battle of manipulating clay and controlling fire enthralls my imagination, and helps my work evolve. I believe that when you love what you do and are challenged by it, your mind is challenged and the potential for progression is endless.